A romantic comedy that portrays the life of modern women who focus on beauty both inside and outside.

These three episodes from the animated series featuring the beloved lizard of lore explore the Monster Wars, a bitter fight for supremacy among Godzilla and foes such as the amped-up Cyber Godzilla, the water dinosaur Cryptocledius and a Giant Bat.

The making of 'The World At War'. Each film in the 26 episode series had to be an essay on an aspect of the war, because the length and separate aspects of the war was far too much to cover in detail. Jeremy Isaacs talks about the production process and the aims of the project. The intention of the crew that were involved with the various skills in making 'The World at War' had no desire to use film from British, German, French, Polish, Russian, Japanese, or the Americans because of their specific means of showing the winning side of a specific action. Rather, an effort was made to interview people who were not part of the establishment, but rather the common people or assistants and secretaries of historical persons. Film was researched for those films from cameras where there was no special subject, but those that would allow the viewer to make their own decisions about what they had just seen and heard.

Little Inga considers herself pretty and is pampered by her mother and other children in her housing block, until a new boy with questionable habits arrives and calls her ugly to her face.

“The Series“ is a brand new comedy web series that follows the lives of 20 somethings at different stages of life, who come from different backgrounds with different perspectives; and how they deal with what life gives them on a daily basis.

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Efsun, who works as a dermatologist, lives peacefully on the farm with her father in a village in Gaziantep. Her mother left her and her father at a young age and moved to Istanbul and became one of Turkey's most important plastic surgeons. Efsun suddenly receives news from her mother, whom she has not seen since she was 12 years old. Her mother is on her deathbed and wants to see her one last time. She invites Efsun to Istanbul by sending her driver. Efsun, who goes to Istanbul to see her mother, is in for a big surprise. Her mother, the owner of the largest aesthetic clinic in Istanbul, asks Efsun to work in the clinic and forces her to do so. As if all this is not enough, Emir, who she thinks is a driver, is actually the son of her mother's partner Kaya Bey. Emir, a handsome and charismatic surgeon, thinks that Efsun has come to take the clinic away from him, and starts a fight with Efsun. Moreover, these young people are neighbors.

The Sleeping Beauty holds a special place in The Royal Ballet’s repertory. It was the ballet with which the Company reopened the Royal Opera House in 1946 after World War II, its first production at its new home in Covent Garden. Margot Fonteyn danced the role of the beautiful Princess Aurora in the first performance, with Robert Helpmann as Prince Florimund. Sixty years later, in 2006, the original 1946 staging was revived by then Director of The Royal Ballet Monica Mason and Christopher Newton, returning Oliver Messel’s wonderful designs and glittering costumes to the stage.

Centuries ago in the past, the witch, who doesn't like Beauty, puts her to sleep, then flies throughout the castle spreading sleep powder, placing all into slumber. Eventually we flash forward to present time: A young hepcat in a convertible tries awakening Sleeping Beauty, and everyone in the castle, with some Big Band music. Will it work? A Puppetoon animated short film.

A Bristol typist joins the world of beauty contests.